![]() ![]() Plus, we go over animating individual points in the tracker. There’s a totally redesigned tracking tool including a new 3D tracker. The second update goes over the new curve controls and the secondary 3D keyer. We also go over the primary controls aimed at still photographers. Including the Redesigned GUI and Clone tool to copy from clients HDD. These 2 update classes are using the new v12 software and showcases all the new features of v12. I also explore how you can do remote grading with Resolve 11. Here are my thoughts on the Resolve panel options. While Resolve can work just from the UI on screen, most serious colorist soon want to be able to use a control surface and operate with both hands while focusing on the creative. Given the nature of large projects even small savings in time can make a huge difference over the life of your project, freeing up more time to be creative and reducing the stress than can come from a poorly organized and run session. This class shows you how to handle problem material.Ī colorist can sometimes spend as much time prepping a project as grading it so here are a few tips to speed your up your workflow. In the real world you don’t always get fantastic footage to work with. Unfortunately very few of us live in that world. In a perfect world the footage is shot without any issues and the DOP is completely able to achieve the look they want on set. Most people will be working as part of a collaborative team, that means grading for a director or a client in this class I look how to make ‘looks’ and, how many looks do we offer the clients? We look at a variety of popular camera formats, including R3D and Blackmagic Cinema DNG We’ll see which cameras shoot RAW and what are the advantages within Resolve of implementing a RAW workflow. In this class we explore how adjust a RAW file and when in your pipeline. One of the great advances in digital cinematography has been the ability to work with RAW files, and Resolve does this extremely well. Many people hate drawing shapes I’ll show you how to effectively use an external matte instead. Learn how to fix broken tracks and how to animate and track at the same time. It will make your work more consistent and your grades more effective. For example, learn when to key and when to use a curve. Understanding which control to adjust rather than just moving them all is the key to successful secondary keying. Before you master anything else you need to be able to do strong primary grading. This lesson showcases the difference between grading in LOG and Lift Gamma Gain. I have said it before and I’ll say it again The Primary controls are the most important controls you will use. You might not want to edit, but adding, replacing, trimming and slipping are all important tools for the Colorist. “Sit back and relax, you don’t have to do anything in this lesson.” Learn about Warren as he walks you through Resolve v11, examining some of the exciting new features while talking about his career in the industry.Įditing with a Color corrector! In this class we outline Resolve’s powerful editing features. ![]() Advanced Resolve v11 Course Outline Class 1: Resolve, what’s it all about? Once you purchase the Advanced Resolve v11 course, you can immediately download all class instruction videos. Samples and clips used during the course are available to download. ![]() You find out more about Warren at & The fast forward program is standalone instruction with immediate download and does not include access to our discussion forums or VPN software. Warren has his own DaVinci Resolve system in Australia and spends his time either grading or teaching International Colorist Academy classes. A Resolve user since 2005, he is proficient in both the software and what can be achieved creatively with it. Warren has extensive experience in all forms of grading, from Super 8 music videos to feature films. He started in photography before moving into London’s film cutting rooms, settling into the role of Colorist. Watch an overview teaser of what Warren will be covering in the course: “As with all my classes I try and add a little more: tips, tricks, RAW, working with clients and workflow solutions are just some of the topics I will be covering,” says Warren. So here it is!”Īdvanced Resolve v11/v12 is an ideal course for existing Resolve users who are looking for more knowledge in both the software and the art of color grading. “People have constantly been asking for more, not just how to use the software but why do you do it. ‘’I have wanted to make an online version of my successful advanced classroom course : International Colorist Academy R201, for a long time,” says Warren Eagles. This advanced Resolve training includes training for both v11 as well as updates for the changes in v12. ![]()
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